Exotic. A Fetish For The Foreign. Judy Sund. (Usado)
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Características del producto
Características principales
Título del libro | Exotic |
---|---|
Subtítulo del libro | A fetish for the foreign |
Serie | No |
Autor | JUDY SUND |
Idioma | Inglés |
Editorial del libro | Phaidon |
Edición del libro | 2019 |
Tapa del libro | Dura |
Con índice | Sí |
Año de publicación | 2019 |
Otros
Cantidad de páginas | 272 |
---|---|
Altura | 25,2 cm |
Ancho | 18 cm |
Con páginas para colorear | No |
Con realidad aumentada | No |
Traductores | No |
Género del libro | Historia |
Subgéneros del libro | Historia |
Tipo de narración | Historia |
Versión del libro | Fisico |
Tamaño del libro | Grande |
Colección del libro | No |
Edad mínima recomendada | 0 años |
Escrito en imprenta mayúscula | No |
Cantidad de libros por set | 1 |
ISBN | 9780714876375 |
Lugar de publicación | Uruguay |
Descripción
An exploration of our obsession with the lure of distant lands, and their promise of the beautiful and bizarre, the weird and wonderful.
Exotic: A Fetish for the Foreign is a fascinating exploration of the enduring human love affair with the exotic and the strange, and the first book to look at cultural assimilation through the lens of art. Beginning with the ancient Egyptians, the Greeks and the Romans, who dragged granite obelisks back from Egypt as souvenirs, Exotic decodes how things now considered everyday-tattoos, coffee and chocolate, animals such as giraffes and parrots, tulips and other flowers, styles of dress - were once exotic to Western eyes, and how their adoption and adaptation by Western society was almost always culturally invigorating.
Chinoiserie, for example, became all the rage in the seventeenth and eighteenth centuries, as merchants brought home unimagined luxuries from the Far East. At other times, the dress and customs of the Ottoman Turks stimulated artists from Bellini and Ingres to Fred Wilson at the 2003 Venice Biennale. The call of the South Seas inspired painters such as Paul Gauguin on the one hand, and wallpaper manufacturers on the other. Even before the rediscovery of the tomb of Tutankhamun in the early twentieth century, the craze for all things Egyptian was displayed from cemeteries to cinemas, and it can still be seen today in the popular Luxor Hotel and Casino in Las Vegas. From Marco Polo to recent Coldplay music videos, the exotic has always been alluring.
Illustrated with over 200 pictures, Exotic takes the reader on a journey from antiquity to the present day, showing how the absorption of foreign arts, design, architecture, culture and cuisine has enriched Western society for more than two thousand years, contributing to its cultural dynamism and artistic energy.
Judy Sund is Professor of Modern European Art and Art of the Americas at the City University of New York. In addition to constructions of the exotic in Euro-American visual culture, her research interests include artists' responses to texts (from Biblical psalms and parables to Naturalist novels) and intersections of high art and popular culture (world's fairs, Hollywood movies, advertising campaigns, fashion). She has published books and essays on Vincent van Gogh (including Van Gogh, in Phaidon's 'Art & Ideas' series), as well as articles on Antoine Watteau, Mary Cassatt, Fernand Léger, Frida Kahlo, and on twentieth-century appropriations of Pre-Columbian artefacts.
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